I have decided to begin my oil painting re-introduction in Grisaille, or monochrome. I will be using a gray palette where I can focus on learning the feel of the paint in application and clearly communicate value. I am basically teaching myself painting using my drawing classes as a foundation and information I can find online from classical realists and different ateliers that openly share knowledge.
I applaud the ateliers that do this. They are making at least some portion of a classical education available to us who simply cannot afford the atelier classes. I know that without the critique of an experienced teacher it is an uphill battle with results that may never match those with a full house of classes and workshops but, what? Do I just not do it because I can’t pursue the curriculum full tilt boogie. Do I wallow in the discouragement or just get over it and paint. I seek to find the best sources of information and apply it to the best of my ability. I am very fortunate to be able to take figure drawing and classical drawing at the Neoteric Renaissance School of Art. Drawing is the backbone of my painting program. I have already seen a vast improvement in my painting from where I left off over ten years ago just through applying how I am starting to see and sticking with the spirit of classical art studies.
All that said I begin with two still lifes.
The first some eggs and the second some oranges. I will post some as I move forward in the work. Below are my under paintings and the “open grisaille” beginnings along with the reference material I am working from. I have no room in my very small apartment for a still life so I am relegated to working with photos of still lives I have put together. The drawings are done using a grid system and the techniques I am learning via the Bargue system of drawing. The under painting is a burnt umber. The grisaille palette is a value string made of a mixture of ivory black and burnt umber for the dark and titanium white for the light. I am using a nine value string. My lean medium for my open grisaille is turpenoid with a tad of liquin to assist drying time. My fat medium will have a little more of the liquin.
Other than that, in terms of application I feel like I am learning to drive for the first time and I am just a little out of control of the car.